Understand the Mid-Credits Scene of Narcos: Mexico Season 3!

Understand the Mid-Credits Scene of Narcos: Mexico Season 3!

As Miguel Angel Felix Gallardo (Diego Luna) predicts, his imprisonment results in a huge war between the cartels that emerged from the corpses of his organization. Season 3 marks the start of a bloody and violent Mexican war, where things get out of hand and enforcement agencies can’t stop drug traffic and related violence. “Narcos: Mexico” makes an appropriate contribution to every hero. History tells us that a number of their stories will continue, but by the top of the show, all of them come to a crucial point in their lives.

In movies and television shows, Post credit or Incredit scenes perform similar functions to literary PostScript. They explain something or point to future projects within the same universe. The mid-credits scene of “Narcos: Mexico” does show the previous setup. It offers a degree to viewers who want to understand what is going to happen to at least one of the most iconic characters within the series by uniquely watching one among the best mysteries within the history of drug traffic . .. .. Narcos: Here’s everything you would like to understand about the season 3 Mexican mid-credits scene. The spoiler ahead.

What did the Narcos: Mexico Season 3 Mid-Credits Scene mean?

When the credit begins, a picturesque beach will appear on the screen and Malta will walk towards the villa during a convenient location on a cliff between the mountains and therefore the sea. From this, we will see that she is during a Chilean house given by Amado Carrillo Fuentes (Jose Maria Yazpic). When she enters the house, there are two glasses on her piano. She takes one among them, looks back, and leans against the piano. The camera then focuses on a toy plane strategically placed next to the score holder before the screen goes black.

Two glasses of wine show that Malta is another person within the house. And toy planes provide information about their identities. At the Season 3 premiere, Amad learned that his daughter had died in prison. He returns to Sinaloa and talks to his ex-wife. He found an airplane within the old room of his deceased daughter. He has been wearing it since. This scene may be a perfect farewell for a person named “El Senor de los Cieros” (“Lord of Heaven”). 

Within the mid-credits scene, the toy plane not only represents a spiritual reference to Amado’s daughter but also Amado himself, informing the audience that he survived and reunited with Malta. Obviously, his plan worked perfectly. As always, he succeeded in something that nearly nobody had done to flee the planet of living free crime.


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